Turmina’s most recent body of work was produced over the summer during her residency in Mexico City and meditates upon tactility, the landscape that surrounded her these last few months, and the possible futures we may one day inhabit. Fluid and gestural layers of warm hues create sensorial backdrops for visceral representations that experiment with fictive dynamics and imaginary visions. Full of elongated and animalistic humans that at times seem protective, self-reflective or hypnotized by the elements, the natural scenarios featuring mountains, arid planes, roots and incandescent tonalities are sourced from the landscape of Mexico City –whose trembling ground is full of life, connections and contradictions in much the same way that Édouard Glissant, one of the most important writers of the French Caribbean, proposes we approach the world. Speculative scenarios emerge from Turmina’s reflection of the present as rooted in the past, as well as her interest in experiments that imagine or pose questions about the ways in which we might have to evolve in order to ensure our survival.