Nature Holds a Mirror brings together the work of nineteen contemporary artists from around the world who examine the ways in which human-centric systems can be questioned and transcended. The artists within the exhibition engage with a range of pictorial and sculptural approaches responding to the natural world, along with physical, fictional and psychological landscapes. The exhibition includes depictions of biomorphic, seductive and contemplative ecosystems that through abstraction and figuration embody and coexist amongst themselves with a range of beings– animalistic, female, male, biological, queer and organic bodies that embrace the changeability and fluidity within states of matter in relation to nature and identity. + Read more
The artists within this exhibition seek to unmask, acknowledge and make room for novel ways of living and engaging with the world beyond generations of religious, political, and cultural canons built on exploitative foundations– in the context of nature, of one another and power. In the process of examining the physical and spiritual relationship between the body, self, and the earth, a number of the artists within Nature Holds a Mirror (expanded) turn to indigenous and ancient knowledge, rituals, traditions and organic processes grounded in self-repairing– intrinsically tied to collective healing.
Identity becomes key when engaging with Nature Holds a Mirror (expanded), as this plays a significant role within the political landscape today, into which bodily autonomy has been inserted. Moreover, inflicting control over the body for the purposes of defending political beliefs and agendas remains an abuse of power intricately connected to the way land is considered property and exploited. From this perspective, the artists within the exhibition examine the idea of the landscape by questioning the colonisation of environments where humans and ecosystems are not two separate entities but part of a whole. With this in mind, the suggestion that bodies are symbolic of land and vice versa becomes palpable. In this way, the artists subvert the idea of possession and territory by continuing to evolve how the natural world is depicted, seeking to further this romanticized genre–by reimagining nature through their own revised memories, perspective-shifting experiences and their innate values and desires to move past a fragmented and ultimately incomplete view of the world. + Read more
Nature Holds a Mirror (expanded) reflects upon the paradoxical and connected symptoms of a deeper global emergency. Through their work, the artists within the exhibition recognise a world where everyone’s autonomy and rights are in direct correlation with the appreciation and treatment of the earth. Within their dreamlike, surreal and abstracted worlds, they present and celebrate an interrelated context, one where the role of the hero, dominance and singular views are questioned. Where nature and the landscape are a protagonist, a reflector, a revealer and an ultimate force. The works presented within Nature Holds a Mirror (expanded) speak of hybridity with the aim of transcending dualisms– by refocusing into a practice of empathy, mirroring and of expanding our understanding of interconnectedness as essential to symbiotic survival, mutual intelligibility and reliance. + Read less + Read less
The exhibition includes depictions of biomorphic, seductive and contemplative ecosystems that through abstraction and figuration embody and coexist amongst themselves with a range of beings and organic bodies that embrace the changeability and fluidity within states of matter in relation to nature and identity.
The artists within the exhibition recognise a world where everyone’s autonomy and rights are in direct correlation with the appreciation and treatment of the earth. Within their dreamlike, surreal and abstracted worlds, they present and celebrate an interrelated context.
Nature Holds a Mirror examines the idea of the landscape by questioning the colonisation of environments where humans and ecosystems are not two separate entities but part of a whole.
ARTWORKS
Wide-Eye Ecstasy, 2022
Oil on canvas
260 x 240 cm (diptych: 180 x 130 cm each)
Following Rob Brezny’s Advice (with cold hands), 2022
Oil, gouache and glazed ceramics on wood panel
91.4 x 121.9 cm
The Mongrel Queen of Respect, 2022
Glazed ceramics
28 L x 25.5 H x 15.2 W cm
Le charme de l’inconnu, 2023
Oil, gouache and glazed ceramics on wood
40.6 x 30.4
Frequent traveller, 2022
Oil, gouache and glazed ceramics on wood
91.5 x 122 cm
Thinking about Vallotton in December, 2022
Oil on bevelled birch panel
30.5 x 30.5cm