Nature Holds a Mirror brings together the work of nineteen contemporary artists from around the world who examine the ways in which human-centric systems can be questioned and transcended. The artists within the exhibition engage with a range of pictorial and sculptural approaches responding to the natural world, along with physical, fictional and psychological landscapes. The exhibition includes depictions of biomorphic, seductive and contemplative ecosystems that through abstraction and figuration embody and coexist amongst themselves with a range of beings– animalistic, female, male, biological, queer and organic bodies that embrace the changeability and fluidity within states of matter in relation to nature and identity. + Read more

The artists within this exhibition seek to unmask, acknowledge and make room for novel ways of living and engaging with the world beyond generations of religious, political, and cultural canons built on exploitative foundations– in the context of nature, of one another and power. In the process of examining the physical and spiritual relationship between the body, self, and the earth, a number of the artists within Nature Holds a Mirror (expanded) turn to indigenous and ancient knowledge, rituals, traditions and organic processes grounded in self-repairing– intrinsically tied to collective healing.

Identity becomes key when engaging with Nature Holds a Mirror (expanded), as this plays a significant role within the political landscape today, into which bodily autonomy has been inserted. Moreover, inflicting control over the body for the purposes of defending political beliefs and agendas remains an abuse of power intricately connected to the way land is considered property and exploited. From this perspective, the artists within the exhibition examine the idea of the landscape by questioning the colonisation of environments where humans and ecosystems are not two separate entities but part of a whole. With this in mind, the suggestion that bodies are symbolic of land and vice versa becomes palpable. In this way, the artists subvert the idea of possession and territory by continuing to evolve how the natural world is depicted, seeking to further this romanticized genre–by reimagining nature through their own revised memories, perspective-shifting experiences and their innate values and desires to move past a fragmented and ultimately incomplete view of the world. + Read more

The exhibition includes depictions of biomorphic, seductive and contemplative ecosystems that through abstraction and figuration embody and coexist amongst themselves with a range of beings and organic bodies that embrace the changeability and fluidity within states of matter in relation to nature and identity.

The artists within the exhibition recognise a world where everyone’s autonomy and rights are in direct correlation with the appreciation and treatment of the earth. Within their dreamlike, surreal and abstracted worlds, they present and celebrate an interrelated context.

Nature Holds a Mirror examines the idea of the landscape by questioning the colonisation of environments where humans and ecosystems are not two separate entities but part of a whole.

ARTWORKS

Lo spettacolo e nulla, 2021
Acrylic and oil on cotton canvas
210 x 175 cm

August I, 2021
Oil on bevelled birch panel
30.5 x 30.5cm

Marina, 2022
Oil on linen
200 x 160 cm

Crivelli’s hand, 2022
Oil on canvas
170 x 175 cm

Metamorphosis, 2022
Oil on linen
200 x 160 cm

Origine, 2021
Acrylic and oil on cotton canvas
210 x 175 cm

Espina (Spine), 2018
Oil on canvas
51.5 x 43 cm


Agave, 2022
Acrylic on canvas
89 x 152.4 cm

Reflejo (1999), 2022
Oil on canvas
183 x 137 cm

Wide-Eye Ecstasy, 2022
Oil on canvas
260 x 240 cm (diptych: 180 x 130 cm each)

Anemoia, 2022
Oil and acrylic on canvas
87 x 134.5 cm

The concert, 2021
Acrylic and oil on cotton canvas
210 x 300 cm

Circadian Memories #Farolito (Bolero), 2023
Oil-stick and concrete on canvas
80 x 100 cm

Galea, 2022
Oil on linen
88.9 x 127 cm

Ice Bloom, 2022
Oil on linen
96.5 x 132 cm

Love & Ashley (Purple Mountains Majesty), 2022
Oil on canvas
185 x 200 cm

What The Light Falls Upon, 2022
Oil and acrylic on canvas
157.5 x 122 cm

Following Rob Brezny’s Advice (with cold hands), 2022
Oil, gouache and glazed ceramics on wood panel
91.4 x 121.9 cm

Frog, 2022
Oil on canvas
200 x 200 cm

I hope it slices you in half, 2023
Acrylic on canvas w/ wooden frame
99 x 124.5 cm

The Philosophy of Stones, 2023
Oil, acrylic & oil pastel on canvas
130 x 160 cm

Consciencia iluminada, 2021
Acrylic on canvas
100 x 150 cm

El regalo, 2021
Acrylic on canvas
100 x 150 cm

The Mongrel Queen of Respect, 2022
Glazed ceramics
28 L x 25.5 H x 15.2 W cm

Le charme de l’inconnu, 2023
Oil, gouache and glazed ceramics on wood
40.6 x 30.4

Recuerditos Cotidianos #Cielito_Lindo, 2022
Oil-stick and concrete on canvas
25 x 20 cm

Veneer Vogue, 2022
Oil on canvas
20 x 30cm

The Water Clock, 2022
Glazed ceramics
17.8 L x 35.5 H x 17.8 W cm

Metanoia, 2022
Oil and acrylic on canvas
45 x 61 cm


Frequent traveller, 2022
Oil, gouache and glazed ceramics on wood
91.5 x 122 cm

Stargazers (after A.B.D.), 2021
Oil on bevelled birch panel
30.5 x 30.5cm


Feral Femme, 2022
Acrylic on cotton
95 x 130 cm


Baile (Dance), 2019
Oil on marble
16 x 10 x 2.2 cm

Roots in the Cave, 2022
Oil on canvas
150 x 150 cm

Thinking about Vallotton in December, 2022
Oil on bevelled birch panel
30.5 x 30.5cm

Recuerditos Cotidianos #El Zacatito, San Ángel, 2023
Oil-stick and concrete on canvas
25 x 20 cm

Tip, 2021
Oil on canvas
76 x 61 cm

Untitled (Sunrise and Rain), 2022
Oil on canvas
76.2 x 101.6 cm

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